Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Canaletto
The Piazzetta towards the Torre dell'Orologio (mk25)

ID: 24097

Canaletto The Piazzetta towards the Torre dell'Orologio (mk25)
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Canaletto The Piazzetta towards the Torre dell'Orologio (mk25)


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | London Interior of the Rotunda at Ranelagh | Capriccio, A Colonnade opening onto the Courtyard of a Palace | Bacino di San Marco (St Mark s Basin) | Rome The Arch of Septimius Severus (mk25) | The Molo Venice |
Related Artists:
Charles Verlat
1624 - 1698
Pedro Figari
(June 29, 1861-July 24, 1938) was a Uruguayan painter, lawyer, writer, and politician. Although he did not begin the practice until his later years, he is best known as an early modernist painter who emphasized capturing the every-day aspects of life in his work. In most of his pieces, he attempts to capture the essence of his home by painting local customs that he had observed in his childhood. Figari painted primarily from memory, a technique that gives his work a far more personal feeling. With his unique style, which involved painting without the intention to create an illusion, he, along with other prominent Latin-American artists such as Diego Rivera and Tarsila do Amaral, sparked a revolution of identity in the art world of Latin America.
Walter Moras
painted Markisches Dorf in 1888






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